The area around Osaka, which includes Kobe, Nara and Kyoto, is the cultural center of Japan and where we based ourselves for 5 days. 

We used Osaka as a base and stayed at the Hotel Riva Nankai in the Minami area, which was an excellent location (like Osaka's Times Square), but priced a bit more than we wanted at about US$120 per night.  Luckily, there was a mix-up and we had to change rooms and they gave us a better room for about US$85.  Woo-hoo!

So we kicked around Osaka some.  The aquarium was pretty amazing as it has the largest single indoor tank in the world which contains a whale shark- the world's largest species of fish.

 I really dug the jellyfish.

 Osaka is a bit grungier than the other cities we visited.  The fashoin is a little more urban and people are generally more boisterous.  This made for the best people watching in Japan.  All the rage in Osaka were knee-high black stockings and brightly colored heels:

All the guys have bleached hair worn a bit like the "hair bands" in the 1980s.

 We also saw a baseball game: the Osaka Buffaloes against Yokohama.  First of all... buffaloes?  They couldn't find anything more Japanese than that?  The game on the field was just like any American baseball game, but the crowd was a different story.  Each team had live marching bands in the outfield bleachers that made the most noise as their team's batter was at the plate.  Everyone was seated, even during a homerun, when they beat inflatable bat-things together furiously.  At one point, everyone blew up balllons and let them go at once.  Apparently we didn't get the memo, but it made for a cool spectacle.

 Then of course, the Japanese have invented innovative ways to dispense beer (that is a small keg on her back and a tap  in her hand).  This photo also provides further proof that it is impossible for Japanese girls to be in front of a camera without a "peace sign".

To cap it all off, we had a roto (conveyer belt) sushi joint behind our hotel, where we went twice to enlarge our stomachs.  The sushi just keeps coming.

My decision to get a tattoo, and specifically Koi tattoo, was not something that I took lightly and I wanted something with lasting importance. For me, nothing is more symbolic than a Koi.

  Throughout my life, these fish have played a significant and enduring role through my family’s business of breeding and raising high quality Koi and goldfish for the US market.  Blue Ridge Fish Hatchery was founded by my father in 1958.

Yes, I grew up the son of a fish farmer.  The way some grow up milking cows, herding sheep, growing rice or baling hay, I grew up breeding, counting, feeding and packaging millions of fish on a goldfish farm in Kernersville, NC, USA.  Just outside of the house where I grew up are fields of water (ponds) used for growing Koi and goldfish.  As a kid, my friends and I would ride motorcycles around the farm and on more than one occasion, our motorcycles ended up at the bottom of a Koi-filled pond.

As a teenager, I would drive a cargo van filled with boxes of live fish in water to the airport for shipment all over the US.  Let me tell you, a vehicle full of water is difficult to keep between the lines as the water sways back and forth.  Conversations over dinner were often dominated by talk of raising, selling and breeding Koi (which bored me to death as a kid).  These fish were as much a part of my life as going to school, skateboarding with my friends or eating chocolate chip cookies.

In the 1980s and 90s, Blue Ridge became one of the nations largest and most successful breeders of domestic Koi, selling millions of fish a year.  Also in that time, my father, uncle and brother introduced a new type of Koi to the market called the Butterfly Koi (above), which is marked by long flowing fins.  Now, all over the world, these fish are bred and sold under the name “Butterfly Koi” and my brother Randy is the person that gave them that name.  This development increased the success of Blue Ridge and likewise, our family’s contribution to the history of the Koi. 

From my personal experiences, Koi have come to symbolize family, innovation, prosperity and strength.  And so, I have chosen to mark my skin with the image of a Butterfly Koi, in the country where the Koi breeding originated (Japan) and on a place on my body where the Koi will always be close to my heart. I cannot imagine anything more appropriate for me and my arm.

See also:  So, I Got a Tattoo 

 Japan seemed like the perfect place for me to get the most durable souvenir I could imagine- a tattoo.  I’ll talk about why I choose a Butterfly Koi soon, but for now I want to describe the process.

  I had been considering a tattoo for many years and have a few designs stashed away should the inspiration hit.  Upon arriving in Japan, I learned about the history and style of tattoos in Japan and thought it would be perfect timing.  The inspiration had hit. 

In a modern-history nutshell, the Japanese government used to tattoo prisoners, which led to tattoos being a symbol of criminals (perfect! I know).  In the 18^th century, released prisoners would seek out an Irezumi-shi –a Japanese tattoo artist who could cover their criminal past with new tattoos.  The Japanese Irezumi style evolved from this past and is now considered the most artful in the world.  Visiting dignitaries like King George V had a tattoo placed on his forearm in 1881.  It helps too that Japan (and her tattoo studios) are very clean and responsible.

I cannot claim that my tattoo is in the Irezumi style, as it lacks color and is not elaborate or intricate.  After resigning myself to the event, I spent a lot of time on the design, taking inspiration from these two pictures among others. 

(The artwork on the right is by Barbara Psimas) 

My goal was to get a small tattoo placed on the inside of my right arm and high enough that that tattoo would not peek out from under a short shirtsleeve.  Here are the drafts, including the final one in the middle.

I took these drafts to a 5pm appointment at Chopstick Tattoos in Osaka on May 25th. There, I met the no-english-speaking Magoshi, the artist.  I have to say it is a bit daunting to work with a tattoo artist who does not speak your language and I don’t recommend it.  However, I was able to communicate through an English speaker and Magoshi produced a sketch that was an improvement on my own work and would provide the template for what would appear on my arm. I guess art is indeed universal

.

Before I knew it, Sachi and I were in a clean room and he was going at it on my arm.  For those that may have been confused, this video is of me reacting to the pain of the tattoo (I didn’t know Sachi was recording it). 

The pain wasn’t negligible, but it wasn’t excruciating either.  I have to say, like many do, that there is a bit of pleasure in the pain.  What freaked me out a bit was looking over at my skin after Magoshi had done the shading and seeing every pore leaking a tiny spot of blood. I could have done without seeing that.

 It took less than an hour and we left with a bandage on my arm covering my new souvenir and a smile.  It turned out even better than I expected and I have no regrets whatsoever.  I would like to say that I’m glad that I made this decision as a 32 year old man and not a 20 year-old college student.  I feel supremely confident that, at 32, I have the maturity and outlook to proceed with such a long-lasting decision with full awareness of the consequences.  Nevertheless, I’m sure my parents and in-laws are both ecstatic.

See also:  Why a Koi Tattoo?